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Production Hiša otrok in umetnosti
Concept, costumography and scenography Iztok Hrga
Dramaturgy Anže Virant
Choreography and performance Inan Sven Du Swami, Mojca Špik
Assistance in the production of electronic components Dmitry Ainutdinov

With the support of the City Municipality of Ljubljana and Ministry of Culture of the Republic of Slovenia.
Production
Hiša otrok in umetnosti

Concept, costumography and scenography
Iztok Hrga

Dramaturgy
Anže Virant

Choreography and performance
Inan Sven Du Swami, Mojca Špik

Assistance in the production
of electronic components
Dmitry Ainutdinov

With the support of the City Municipality of Ljubljana
and Hiša otrok in umetnosti.
Production Hiša otrok in umetnosti
Concept, costumography and scenography Iztok Hrga
Dramaturgy Anže Virant
Choreography and performance Inan Sven Du Swami, Mojca Špik
Assistance in the production of electronic components Dmitry Ainutdinov

With the support of the City Municipality of Ljubljana and Ministry of Culture of the Republic of Slovenia.

The performance explores the conceptual design of the idea of a costume – how we perceive a costume, what a costume is per se, and where the boundaries lie between the actor's body and the costume. Thematically, the staging relates to the relationship between two individuals, drawing inspiration from European mythology – from Greek Gaia, who gave birth to Uranus, the love affair between Mórrígan and Cúchulainn from the Celtic Ulster Cycle, to the Nordic poem Grógaldr from the Icelandic epic Edda. A loose thread establishes a narrative that unfolds essential elements of human perception of relationships throughout the performance. The actors, initially undefined, create a unique intimate space through revelation, allowing everyone to identify with it.

The performance explores the conceptual design of the idea of a costume – how we perceive a costume, what a costume is per se, and where the boundaries lie between the actor's body and the costume. Thematically, the staging relates to the relationship between two individuals, drawing inspiration from European mythology – from Greek Gaia, who gave birth to Uranus, the love affair between Mórrígan and Cúchulainn from the Celtic Ulster Cycle, to the Nordic poem Grógaldr from the Icelandic epic Edda. A loose thread establishes a narrative that unfolds essential elements of human perception of relationships throughout the performance. The actors, initially undefined, create a unique intimate space through revelation, allowing everyone to identify with it.

The performance explores the conceptual design of the idea of a costume – how we perceive a costume, what a costume is per se, and where the boundaries lie between the actor's body and the costume. Thematically, the staging relates to the relationship between two individuals, drawing inspiration from European mythology – from Greek Gaia, who gave birth to Uranus, the love affair between Mórrígan and Cúchulainn from the Celtic Ulster Cycle, to the Nordic poem Grógaldr from the Icelandic epic Edda. A loose thread establishes a narrative that unfolds essential elements of human perception of relationships throughout the performance. The actors, initially undefined, create a unique intimate space through revelation, allowing everyone to identify with it.

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